True Crime, Wrong Story Season 3 Episode 1 thumbnail: host Alexandra Kitty between silhouettes of a boy on a bicycle and a boy in shadow
Episode Dossier · Season 3, Episode 1

Boys Who Save and Kill

A case-file breakdown of the research, structure, and arguments behind the episode examining Temar Boggs and Ned Kelly — and why culture cannot hold heroism and harm in the same person.

SeasonThree — Double Lives
Runtime target80–90 minutes
HostAlexandra Kitty
FormatDialogue + On-Air Q&A
The Premise

Two boys the world decided it already knew

Season Three follows people who refuse to stay inside a single role — hero, villain, victim, offender. Episode One opens on two rescues, more than a century apart, and asks what happens when the same person is later responsible for real harm.

Lancaster Township, Pennsylvania · 2013

Temar Boggs

At 15, Boggs and friend Chris Garcia chased down a car that had abducted five-year-old Jocelyn Rojas, tailing the driver on bicycles until the girl was released. He became a national hero overnight.

Rescue → national hero coverage
Northeast Victoria, Australia · 1878–1880

Ned Kelly

Decades before becoming Australia's most mythologized outlaw, Kelly saved a boy from drowning at Avenel. He later killed three police officers at Stringybark Creek and was hanged in 1880 at age 25.

Rescue → folk-hero mythology
Case Timeline

How each story actually unfolded

July 11, 2013

The rescue in Lancaster

Jocelyn Rojas, 5, is lured into a car by Harold Leroy Herr, a 73-year-old convicted sex offender. Temar Boggs and Chris Garcia chase the car on bicycles for 10–15 minutes until the girl is released.

2013 (aftermath)

Hero status, national coverage

Boggs is hailed in national news and television interviews. Herr later pleads guilty to kidnapping and sexual assault and is sentenced to 50–100 years.

December 17, 2015

The El Coqui Market robbery

Now 18, Boggs and a 16-year-old accomplice rob a Lancaster City market at gunpoint, fleeing with $200. He pleads guilty in June 2016.

August 2016

Sentencing

Judge Howard Knisely sentences Boggs to 40 months to 10 years. He is paroled in 2019.

c. 1865

The rescue at Avenel

A young Ned Kelly jumps into a creek to save a Chinese-Australian boy from drowning. The boy's family gives him a green sash — later worn under his armour at his last stand.

October 26, 1878

Stringybark Creek

Kelly and his gang kill three mounted police officers — Lonigan, Scanlan, and Kennedy — in a confrontation Kelly later frames as pre-emptive self-defense.

November 11, 1880

Execution at Melbourne Gaol

Kelly is hanged at 25, despite a 30,000-signature petition against his execution. His last words: "Such is life."

Central Argument

What the episode is actually asking

"What systems do with the people they use — that's the question the official stories don't want you to ask." Alexandra Kitty, Boys Who Save and Kill
01

The sequencing of sympathy

Kelly's legend asks audiences to feel colonial injustice before the killings; Boggs's coverage asks audiences to feel betrayal before any context. Both sequences do moral work on the audience.

02

Who gets a story vs. a verdict

Kelly's violence was framed as political resistance and mythologized for 140 years. Boggs's offense was small, local, and quickly buried in silence rather than examined.

03

The burden of the exemplar

Sudden public visibility for adolescents can be destabilizing rather than protective — attracting negative attention and creating identity pressure a 15-year-old never asked for.

04

Race, class, and who becomes myth

Kelly's story fit a national narrative about resistance to colonial power. Boggs, a Black American teenager, had no comparable cultural frame built to hold his full story.

On-Air Q&A Highlights

Key exchanges from the episode

What does research say about young people labeled as heroes?
Sudden public visibility for adolescents can be destabilizing rather than protective — attracting both positive and negative attention, disrupting relationships, and creating what researchers call "the burden of the exemplar": the psychological weight of a standard you didn't choose.
How does the criminal justice system account for prior heroism in sentencing?
Generally, it doesn't. Sentencing guidelines focus on the offense itself, prior criminal record, and factors directly tied to the crime. Civic heroism carries no formal mitigating weight in standard sentencing frameworks.
Why does Ned Kelly get mythologized while Temar Boggs gets silence?
Kelly's mythology was consciously built over a century through art, literature, and political speech by communities invested in what he represented. Boggs's story — a Black American teenager whose heroism and harm were both personal and local — had no comparable myth-making community or national narrative to attach to.
What does the ongoing Australian debate about Kelly actually reveal?
The debate is less about Kelly himself and more a proxy for arguments about class, colonial policing, and Irish-Catholic identity. Both the "hero" and "villain" camps resist holding the injustice and the violence in view at the same time.
Visual Reference

Research imagery for the episode

Reference visuals gathered during research to inform graphics, chapter cards, and B-roll direction.

Production Notes

Format & delivery specs

StructureCold open → Chapter 1: The Official Heroes → Chapter 2: The Parts That Don't Fit → Chapter 3: How Story and System Respond → Chapter 4: What Double Lives Do to Justice
DeliveryDialogue-only script; Alexandra speaks to camera/mic; AI responses delivered via the show's speech function, cued as "AI"
Chapter cardsAppear between sections; suggested transition is a single low tone, not music
Sound designOpen on ambient summer street noise and cicadas with distant sirens; close on silence before the theme outro
Next episodeEpisode Two — "The Father at the Phones"